Imagine, John Lennon

Actors: Paul McCartney, George Harrison, Ringo Starr, Yoko Ono, David Bowie
Directors: Andrew Solt
Studio: Warner Home Video
DVD Release Date: December 6, 2005

It can hardly be a coincidence that this "deluxe edition" of John Lennon – Imagine should be issued in late 2005, a couple of months after what would have been the former Beatle's 65th birthday and mere days before the 25th anniversary of his death. Whether that's cynical, poignant, or just good marketing is moot; what matters is that Lennon's impact, not just as a musician but as a public figure, remains largely undiminished. The film, released theatrically in 1988, will already be familiar to many fans. "Narrated" by Lennon himself and culled from hundreds of hours of footage, much of it home movies shot by John and Yoko Ono, Imagine is a substantial, reasonably illuminating portrait of the man, warts and all, from childhood through the Beatle years, his solo career, and his life with Yoko straight up to his fatal encounter with Mark David Chapman. It's the new bonus features that are the principal draw here; but whether or not they qualify as "deluxe" is arguable. The Lennons' radio interview with a BBC reporter is notable mostly for John's patience in the face of idiotic questions like "Is love very important to young people today?" The ten or so minutes spent with Lennon's school headmaster, William Ernest Pobjoy (love the name), yield little insight, especially considering that the two were at the
school at the same time for just one year, half a century ago; likewise, a new "making of" documentary with Ono, writer-director Andrew Solt, producer David Wolper, and others isn't exactly ground-breaking. However, a previously unreleased performance of "Imagine," with Lennon and some unknown accompanists on acoustic guitar, is nice, as is some heretofore unseen footage of the Lennons at home on their Tittenhurst Estate. Add to that a fine transfer and Dolby digital sound, and you have another addition to the filmed legacy of the Beatles--a subject that, for many of us, will never be old news. --Sam Graham

Hello Kitty

Actors: Laura Summer, Melissa Fahn
Directors: Tony Oliver
Studio: MGM (Video & DVD)
DVD Release Date: September 2, 2003

Includes:
Hello Kitty Goes to the Movies
Hello Kitty Saves the Day
Hello Kitty Becomes a Princess
Hello Kitty Plays Pretend (only available in this set)
Hello Kitty Tells Fairy Tales (only available in this set)
Limited-edition jewelry box

The Three Musketeers

Actors: Wayne Allwine, Tony Anselmo, Bill Farmer, Russi Taylor, Tress MacNeille
Directors: Donovan Cook
Studio: Walt Disney Home Video
DVD Release Date: August 17, 2004

The unlikeliest heroes in any queen's court would have to be janitors Mickey Mouse, Donald Duck, and Goofy, who dream of adventure in Disney's animated feature The Three Musketeers and get their wish under dubious circumstances. Though the trio aspires to perform brave deeds on behalf of their monarch, Minnie Mouse (who pines for a fantasy beau that looks a lot like Mickey), they are held back as servants by the head Musketeer, Pete. What they don't know is that Pete secretly schemes to get rid of the queen but has, thus far, failed in his efforts. Desperate, he appoints Mickey and his bumbling friends guardians to Minnie--on the assumption she'll be all the more vulnerable--but underestimates their determined, if slapstick, resourcefulness. Good, classic Disney comedy meets storybook romance in this short (68 minutes) animated feature, which features songs and familiar melodies by Tchaikovsky, Strauss, and Beethoven. --Tom Keogh

Charlies Angel

Actors: Cameron Diaz, Drew Barrymore, Lucy Liu, Bill Murray
Directors: McG
Studio: Sony Pictures
DVD Release Date: March 27, 2001

For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas

Monster Inc.

Actors: Billy Crystal, John Goodman, Mary Gibbs, Steve Buscemi, James Coburn
Directors: David Silverman, Lee Unkrich, Pete Docter, Ralph Eggleston, Roger Gould
Studio: Disney/Pixar
DVD Release Date: September 17, 2002

From the Academy Award(R)-winning creators of TOY STORY (2001, Best Animated Short Film, "For the Birds") comes the computer-animated film that captured the hearts of fans and critics everywhere. MONSTERS, INC., is "visually dazzling, action-packed, and hilarious" (Boston Herald), featuring groundbreaking animation, imaginative storytelling, and unforgettable voice talent. John Goodman stars as the lovable James P. Sullivan (Sulley) and Billy Crystal as his wisecracking best friend, Mike Wazowski. Top scarer Sulley and his enthusiastic Scare Assistant Mike work at Monsters, Inc., the largest scream-processing factory in Monstropolis. The main power source of the monster world is the collected screams of human children. Monsters believe children are dangerous and toxic, however, and they are scared silly when a little girl wanders into their world. Sulley and Mike do their best to return the girl home, but they face monstrous intrigue and some hilarious misadventures along the way.

MONSTERS, INC., is "supremely clever -- fun for kids and adults alike" (CBS-TV). Treat yourself to the most entertaining movie of the year with all-new exclusive bonus features and animation for monster laughs and monster fun.

Grease

Actors: Olivia Newton-John, John Travolta, Stockard Channig, Jeff Conaway, Didi Conn
Directors: Randal Kleiser
Studio: Paramount
DVD Release Date: September 23, 2008

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

The Da Vince Code

Actors: Tom Hanks, Audrey Tautou, Jean Reno, Ian McKellen, Paul Bettany
Directors: Ron Howard
Studio: Sony Pictures Home Entertainment
DVD Release Date: November 14, 2006

Critics and controversy aside, The Da Vinci Code is a verifiable blockbuster. Combine the film's huge worldwide box-office take with over 100 million copies of Dan Brown's book sold, and The Da Vinci Code has clearly made the leap from pop-culture hit to a certifiable franchise. The leap for any story making the move from book to big screen, however, is always more perilous. In the case of The Da Vinci Code, the plot is concocted of such a preposterous formula of elements that you wouldn’t envy screenwriter Akiva Goldsman, the man tasked with making this story filmable. The script follows Dan Brown’s book as closely as possible while incorporating a few needed changes, including a better ending. And if you’re like most of the world, by now you’ve read the book and know how it goes: while lecturing in Paris, noted Harvard Professor of Symbology Robert Langdon (Tom Hanks) is summoned to the Louvre by French police to help decipher a bizarre series of clues left at the scene of the murder of the chief curator.

Enter Sophie Neveu (Audrey Tautou), gifted cryptologist. Neveu and Langdon team up to solve the mystery, and from there the story is propelled across Europe, ballooning into a modern-day mini-quest for the Holy Grail, where secret societies are discovered, codes are broken, and murderous albino monks are thwarted… oh, and alternative theories about the life of Christ and the beginnings of Christianity are presented too, of course. It’s not the typical formula for a stock Hollywood thriller. In fact, taken solely as a mystery, the movie almost works--despite some gaping holes--mostly just because it keeps moving. Brown’s greatest trick was to have the entire story take place in one day, so the action is forced to keep moving, despite some necessary pauses for exposition. As a screen couple, Hanks and Tautou are just fine together but not exactly memorable; meanwhile Sir Ian McKellen’s scenery-chewing as pivotal character Sir Leigh Teabing is just what the film needed to keep it from taking itself too seriously. The whole thing is like a good roller-coaster ride: try not to think too much about it--just sit back and enjoy the trip. --Daniel Vancini